Anna Pinnock
Highest Rated: 100% The Rat Catcher (2023)
Lowest Rated: 21% The Tourist (2010)
Birthday: Not Available
Birthplace: Not Available
Anna Pinnock spent her career building the beautiful and imaginative worlds behind some of the great films of the 1990s, 2000s, and beyond. As a production and prop buyer, set dresser, and ultimately a renowned set decorator, Pinnock adorned everything from family fantasy films like "Mr. Toad's Wild Ride" (1996), elaborate sci-fi pictures like "The Fifth Element" (1997), intricate period pieces like "Gosford Park" (2001), and a even a couple of Bond films. Earning awards attention for entries such as "The Grand Budapest Hotel" (2014), Pinnock established herself as one of the great visionaries of 21st century set design. Anna Pinnock was born in Canterbury, England, and raised among an intellectual and artistic family. Her father Kenneth was a publisher, and her mother Joyce was a singer. Her brother Trevor would go on to become a well known conductor and musician. In the late 1980s, Pinnock kicked off a career in the art and production design game, working as a production and prop buyer on movies such as "Foreign Affairs" (1986), "Hellbound: Hellraiser II" (1988), and "Being Human" (1994). Soon after, she advanced to set decoration, a realm in which she'd ascend to wide critical celebration. Pinnock's earliest set decoration gigs included the romantic comedy "Four Weddings and a Funeral" (1994), as well as more elaborate genre projects like "Mr. Toad's Wild Ride" (1996), "The Fifth Element" (1997), and "Lost in Space" (1998). After the turn of the millennium, Pinnock began seeing awards attention for her work crafting scenes. Her first Oscar nomination arose from her contributions to Robert Altman's "Gosford Park" (2001). The period drama preceded a series of high-profile epics like "Van Helsing" (2004), "Troy" (2004), and "The Golden Compass" (2007), for which Pinnock was once again nominated for an Academy Award. Increasing esteem allowed Pinnock claim to the James Bond franchise, granting her credits on "Quantum of Solace" (2008) and "Skyfall" (2012). Awards attention would ensnare Pinnock from that point on; she earned Oscar nominations for her work on the survival fable "Life of Pi" (2012) and the fairy tale musical "Into the Woods" (2014). Pinnock achieved her first Academy Award victory for her immaculate design of Wes Anderson's period comedy "The Grand Budapest Hotel" (2014).
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
No Score Yet | No Score Yet | The Wonderful Story of Henry Sugar and Three More | Set Decoration | - | 2024 |
100% | 60% | The Rat Catcher | Set Decoration | - | 2023 |
95% | 81% | The Wonderful Story of Henry Sugar | Set Decoration | - | 2023 |
70% | 88% | Indiana Jones and the Dial of Destiny | Set Decoration | $174.5M | 2023 |
46% | 83% | Fantastic Beasts: The Secrets of Dumbledore | Set Decoration | $95.8M | 2022 |
74% | 79% | Fantastic Beasts and Where to Find Them | Set Decoration | $234.0M | 2016 |
35% | 58% | The Legend of Tarzan | Set Decoration | $126.6M | 2016 |
63% | 61% | Spectre | Set Decoration | $200.1M | 2015 |
71% | 49% | Into the Woods | Set Decoration | $128.0M | 2014 |
92% | 86% | The Grand Budapest Hotel | Set Decoration | $59.1M | 2014 |
86% | 84% | Life of Pi | Set Decoration | $125.0M | 2012 |
92% | 86% | Skyfall | Set Decoration | $304.4M | 2012 |
21% | 42% | The Tourist | Set Decoration | $67.6M | 2010 |
27% | 40% | Clash of the Titans | Set Decoration | $163.2M | 2010 |
No Score Yet | No Score Yet | Alien Love Triangle | Set Decoration | - | 2008 |
34% | 52% | Breaking and Entering | Set Decoration | $929.0K | 2006 |
45% | 57% | Casanova | Set Decoration | $11.3M | 2005 |
38% | 53% | Sahara | Set Decoration | $68.6M | 2005 |
53% | 73% | Troy | Set Decoration | $133.2M | 2004 |
24% | 57% | Van Helsing | Set Director | $120.0M | 2004 |
87% | 78% | Gosford Park | Set Decoration | $41.3M | 2001 |
54% | 39% | The Golden Bowl | Set Decoration | $3.0M | 2000 |
39% | 43% | Proof of Life | Set Decoration | $32.6M | 2000 |
40% | 50% | Entrapment | Set Decoration | $87.7M | 1999 |
27% | 24% | Lost in Space | Set Decoration | $69.1M | 1998 |
75% | 62% | The Wind in the Willows | Set Decoration | $72.8K | 1996 |
92% | 74% | Four Weddings and a Funeral | Set Decoration | $49.3M | 1994 |